Inspired by Popol Vuh and originally released in a tiny pressing of 550 on vinyl from the inimitable Acid Mothers Temple front man. Included on this cd reissue are the bonus tracks from the even more limited 7" included with 100 copies of the original LP.
Guitarist, violinist, performer on numerous traditional instruments, composer, leader of the Acid Mothers Temple, Kawabata Makoto expresses in this solo performance all his mantric cosmical vocations and spins them into space sonorities! He took inspiration from the Popol Vuh album of the seventies Hosianna Mantra, during his visit to A Silent Place headquarters in late Winter 2006. In a sunny Sunday noon spent in the country-side, eating and drinking Apulian specialities and listening to some great experimental records, Makoto and his Italian friends Pierpaolo and Pasquale, took the decision to start this cooperation. A few days later, back in Japan, Makoto recorded the Hosanna Mantra album at the Acid Mothers Temple between March 12th and 13th, using electric guitar, bouzouki and sitar. The result is this new fantastic sound coming from the cosmos. A simple gem of crystalline beauty.
"Music, for me, is neither something that I create, nor a form of self-expression. All kinds of sounds exist everywhere around us, and my performances solely consist of picking up these sounds, like a radio tuner, and playing them so that people can hear them. However, maybe because my reception is somewhat off, I am unable to perfectly reproduce these sounds. That is why I spend my days rehearsing. Where do these sounds come from? Who is sending them out? That is not something for me to know, and neither is there any way that I could find out. I simply believe that they come from the ''cosmos''. (Maybe other people would call God the source). Since I was a small child I have been prone to hearing ringing sounds in my ears and other sound phantasms. At the time, I believed that these were messages aimed directly at me from a UFO, and so I would gaze up at the sky. But once I started playing music myself, I came to feel that these noises were a kind of pure sound. And I promised myself that one day I would be able to play those sounds myself. It is only recently that I have begun to feel that I have been able to come close to reproducing these sounds in my solo guitar work, and in my INUI project. However, in June of 1999, I finally discovered my own ''cosmos'' and I experienced an instant of total union with it!! That ''cosmos'' is still tiny in size - although any cosmos can, by its very nature, be infinitely huge or infinitely small. The energy and vibrations contained within that it far exceeded my imagination in scope and beauty. I can only describe the miraculous instant when my ''cosmos'' accepted my consciousness as MAGIC.” Kawabata Makoto