The mystery of Italian quartet Larsen begins with the tale of how Michael Gira (Swans/Angels of Light) came to produce their first album. The band sent him anonymous CD-Rs on the 1st and 21st of each month for a period before providing him the cash to travel to Italy and record them. In the 21 days they scheduled to create Rever (later released on Gira’s Young God label) they played from behind an opaque screen, never seeing or addressing Gira directly. Seies adopts the drone/crescendo structure of many contemporary bands then quickly outstrips them. The album is held within the ominous, feverish parentheses of "The Snow" and "Marzia," the latter featuring Brian Williams (Lustmord). The central tracks are crystalline and towering but etched with such diverse fine detail that new facets reveal themselves with each slight repositioning. "Mother" is an elegant swoon in the face of uniformed martial rhythms while "Momi" contains a section of balladic duets for accordion and a laptop full of bees. A Swans connection is kept current via Jarboe’s, contribution of vocals and lyrics to a few songs. Whether or not Larsen ever peer out from behind their safety blanket is irrelevant so long as they continue to produce such wonderful works.

http://surgeryradio.blogspot.com/2006/04/larsen-seies.html