Release date: December 2, 202
This 5 minute edit is excerpted from a recording Bertoia made on 8/29/71 and it has not been released in any other manner.
Bertoia's notes on this date indicate that he had recently brought new sculptures into the barn where he recorded his orchestra of Sonambient sculptures. Recordings of this type are rare and fascinating because they indicate moments of discovery when a new piece was examined to see if it could play along with the other sculptures in the barn.
These are the last of our Bertoia business card CDRs and they will not be reproduced. This one has different audio from the earlier business card CDRs.
Harry Bertoia first gained some artistic visibility in the early 1940s, then came into prominence with his sculptural, ergonomic chairs, produced by Knoll Furniture beginning in 1952, which quickly became classics of modernist furniture. Inspired by the resonant sounds emanating from metals as he worked them and encouraged by his brother Oreste, whose passion was music, Harry restored a fieldstone "Pennsylvania Dutch" barn as the home for this experiment in sounding sculptures which he had begun in the late 1950s. Bertoia was an obsessive composer and relentless experimenter, often working late into the night and accumulating hundreds of tapes of his best performances; Oreste, too, would explore and record the sculptures' sounds during his annual visits to his brother's home in rural Pennsylvania.
Harry Bertoia's recently dismantled Sonambient barn collection was an attentive listener's paradise full of warm, expressive instruments that were gorgeous visually and audibly. Nothing could prepare you, even on return visits, for the overwhelming experience of entering the spacious wood and plaster interior where gongs, some of them giant, hung among the ranks of standing sculptures of various metals. Over nearly twenty years of adding, culling and rearranging, Bertoia carefully selected nearly 100 harmonious pieces ranging in height from under a foot to more than fifteen feet. He considered this barn a full experience, sights and sounds comprising not a collection of works, but one piece unto itself. It was here, deep in the woods, that his Sonambient recording work took place.
Learning by experimentation was common for Bertoia and he mastered the art of tape recording, turning the Sonambient barn into a sound studio with four overhead microphones hanging from the rafters in a square formation. He would experiment with overdubbing by performing along to previous recordings, sometimes backwards, constantly improving his methods while also honing his performance skills. Bertoia was a careful editor of his own work and only chosen recordings remained, each with a date and carefully considered observations written on a note included with each tape. Through these pieces of paper a the artist's logic can be uncovered, a careful approach to composition, ideas, feelings and forms. The story of Sonambient barn collection will slowly be told through the release of recordings from the archive as well as installations and performances built from Bertoia's own recordings, lectures and a book.
Washington Post feature article by Marc Masters
Sonambient interview ~ Fact
"This is the real deal, pure art in all manifestations, and it's possibly the quintessential collection of ambient music ever made." ~ Fact Magazine
"'When I know a man's sound, that's this man," stated John Coltrane in a 1966 interview. He was speaking of what he called music of the individual, and no better example can be found than sculptor and improviser Harry Bertoia. This massive and expertly documented set encapsulates the work of Bertoia's last 20 years, when he built what he came to call his sonambient sculptures, and there is absolutely no other music like it." ~ Fanfare
The Complete Sonambient Collection offers deep listening of the highest order. These are sounds which are as worthy of heavy contemplation as any, but they're even better when you just let go and feel them like so much sand between your toes, as an eternal sound for which there can be no words. ~ The Quietus
"One hears not just the rumble and reverberation of stroked gongs, struck metal sheets, or colliding rides, but the dimensions of Bertoia's studio. The experience is not merely sensual, but follows hearing and feeling back to the conscious and unconscious sentiments stirred by them." ~ Dusted
"The supremely well-curated and tirelessly hard-working Important Records finally present one of the most important and anticipated editions in their enviably impressive catalogue to date, a staggering, lushly packaged box-set with the complete Sonambient Collection, featuring all 11 Bertoia Sonambient releases newly restored from the original master reels." ~ SoundOhm
Wall Street Journal
Full Bertoia interview via Archives Of American Art